Review by Christopher Coleman
Accompanying what may have been the best of the three-quels in the summer of 2007 (spider-Man 3, Pirates of the Caribbean 3, Rush Hour 3), composer John Powell's score for the THE BOURNE ULTIMATUM follows up the previous two installments with more of the same electronic grit and audio "kineticism." Powell musically matches Greengrass' intensity scene for scene, blow for blow, and stunt for stunt. He reprises Jason Bourne's main theme as well as his eclectic combination of orchestral and synthesized elements with Western and Middle-eastern instrumentation. The overall effect suits Mr. Bourne and his jaw-dropping exploits to a "T."
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